Wednesday, 30 November 2011

Time Management

Within this post I am going to keep a record of our filming sessions. I will keep going back into it and adding all our filming sessions as we do them. This will help us with our time management to understand and layout the development of our filming. By visualising how long it takes us to organise one filming session to another, we can watch for any longer distances etc to see if there is anything we can improve on to be more efficient with our time to ensure we meet the deadline. Also I will record any props or equipment used.

First filming session
Date: 18/12/11 
What we filmed: Pulse Ident and all Kidnap scenes
Crew/Cast: Myself, Abigail and Miranda
Props: Candles, Paint, Clapperboard, Rope, Chair, Gag(cloth), Make-up (bruised face), Saw and mask (obscure setting-mise en scene)
Equipment: Tripod, Batteries, Charger, Laptop (for sound), Torch (extra lighting), Video Camera, Digital Camera

Second filming session
Date: 09/01/12
What we filmed: Bedroom scene, Train scenes, Stalker following girl scenes
Cast/Crew: Myself, Abigail, Miranda, Kieran
Props: Hairbrush, Bag, Laptop
Equipment: Money for train, Tripod, Batteries, Charger, Video Camera, Digital Camera, Clapperboard, Umbrella

Third filming session
Date: 20/01/12
What we filmed: Establishing shot of the houses and shot of the train leaving (from the bridge)
Cast/Crew: Myself and Abigail
Props: None
Equipment: Video Camera, Tripod

Fourth filming session
Date: 03/02/12
What we filmed: Chase scene
Cast/Crew: Myself, Abigail and Miranda
Props: Same costume for continuity
Equipment: Video Camera, Tripod, Torch (extra lighting), Digital Camera

After filling in all our filming sessions, and looking back on it I feel both myself and Abigail kept to good time with our filming. We enabled enough time for use to edit aswell as re-film if there were any problems. Also by recording our props and equipment it is easier to plan ahead for what we might have needed for the next one by looking at what we used in the one before.

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